The cathedral is immense as promised, with gigantic wooden doors that look as if they could shut you out for good. The front is all warbly with carvings: the Ship of the Church sailing over one door looked like a Spanish galleon, and over the other, Jesus is handing over the keys to the kingdom. He has the same worried look the bakery-shop man had when giving Mother the key to come through his shop to our apartment upstairs. Mr. Produce the Cash owns the building.

Inside the cathedral you have to pass the great Altar of Perdón, all golden with angels flying about. The black Christ of the Venom hangs there dead in his black skirt, surrounded by little balconies, maybe for the angels to land on when they get tired. It was such a monument of accusation, even Mother had to bow her head a little as she crept past it, sins dripping from her shoes as we walked around the nave, leaving invisible puddles on the clean tiles. Perhaps God said her name was mud. He would have to yell that more than three times, for her to hear.

Around the back outside the church was a little museum. A man there told us the cathedral was built by Spaniards right on top of the great temple of the Azteca. They did it on purpose, so the Azteca would give up hope of being saved by their own gods. Just a few pieces of temple left. The man said the Azteca came to this place in ancient times after wandering many hundred years looking for a true home. When they got here they saw an eagle sitting on a cactus, eating a snake, and that was their sign. A good enough reason to call a place home, better than all of Mother’s up to now.

The best artifact was the calendar of the ancients, a great carved piece of stone as big as a kitchen, circular, bolted to the wall like a giant clock. In the center was an angry face looking out, as if he’d come through that stone from some other place to have a look at us, and not very pleased about it. He stuck out his sharp tongue, and in taloned hands he held up two human hearts. Around him smiling jaguars danced in a circle of endless time. It might be the calendar Leandro knew about. He would be happy to know the Spaniards decided to keep it when they bashed up everything else. But Leandro can’t read a letter, so there is no use writing him anything about it.

Mr. P. T. Cash is to come on Mondays, Thursdays, and Saturdays. Mother could put a sign on her door like the bakery shop downstairs.

They discuss The Boy’s Future: P. T. says the Preparatoria in September, but Mother says no, he can’t get in there. It’s supposed to be difficult, with Latin, physics, and things of that kind. What will they make of a boy who has only attended the school of Jules Verne and the Three Musketeers for five years? Her idea is a little school organized by nuns, but P. T. Cash says she is a dreamer, the Revolution did away with those when the priests fled Mexico. If they know what’s good for them, he said, those schoolteacher nuns got married. Mother insists she saw a school on Avenida Puig south of here. But Preparatoria is free, and a católica school would cost money, if one could be found. We will see who wins: Mr. Produce the Cash or Miss No Cash Whatever.

24 June

St. John’s Day, all the church bells ringing on a Tuesday. The maid says it’s a signal for the lepers to bathe. Today is the only day of the year they are allowed to touch water. No wonder they smell as they do.

On the way back from the Colonia Roma dress shop today, it started to rain like pitchforks, and we bought paper hats from the newspaper boys. When it rains, they give up on shouting about the New Bureaucratic Plan and fold it up into something useful. Then we lost the way home and Mother laughed, her hair stuck like little black ribbons to her face, for once happy. For no reason.

Standing under an awning to hide from the rain, we noticed it was a shop of books, and went inside. It was fantastic, every sort of book including medical ones, the human eye drawn in cross-section and reproductive organs. Mother sighed for the slim chances of gaining entrance to the no-cost Preparatoria. She told the shopkeeper she needed something to put her boy on the Right Track, and he showed her the section of very old, worn-out ones. Then took pity on Mother and said if we brought them back later, he would return most of the price. Huzzah, something new to read. For your birthday, she said, because it passed almost a week ago and she was sorry for not celebrating. So pick out something for turning fourteen, she said. But still no adventure novels. Pick something serious, history for example. And no Pancho Villa, mister. According to her, if he hasn’t been dead twenty years, he isn’t history.

The Azteca are dead for hundreds, so we got two books about them. One is all of the letters written by Hernán Cortés to Queen Juana of Spain, who sent him off to conquer Mexico. He sent back plenty of reports, starting each one with “Most Lofty Powerful and Very Catholic Empress.” The other one is by a bishop who lived among the pagans and drew pictures of them, even naked.

More rain, a good day for reading. The great pyramid under the cathedral was built by King Ahuitzotl. Luckily the Spaniards wrote buckets about the Azteca civilization before they blew it to buttons and used its stones for their churches. The pagans had priests and temple virgins and temples of limestone blocks ornamented on every face with stone serpents. They had gods for Water, Earth, Night, Fire, Death, Flowers, and Corn. Also many for War, their favorite enterprise. The war god Mejitli was born from a Holy Virgin who lived at the temple. The bishop wrote how curious it was that just like our Holy Virgin, when she turned up expecting a baby, the Azteca priests wanted to stone her but heard a voice saying: “Fear not Mother, thy honor is saved.” Then the war god was born with green feathers on his head, and a blue face. The mother must have had quite a fright that day, all round.

Because of all that, they gave her a temple with a garden for birds. And for her son, a temple for human sacrifice. Its door was a serpent’s mouth, a lacuna leading deep into the temple where a surprise waited for visitors. Towers were built from all their skulls. The priests walked about with their bodies blackened with the ashes of burnt scorpions. If only Mother had brought us here five hundred years sooner.

Every day it rains buckets, the alley is a river. Women do their washing in it. Then it dries up, flotsam everywhere. The maid says it’s a law that everyone has to clean a section of the street, so we should pay her husband for that. Mother says no dice, if we have to huddle like pigeons upstairs we aren’t paying any damn street cleaner.

Mother’s room has a tiny balcony facing outward to the alley, and this room is opposite, facing a courtyard inside the block of buildings. The family across keeps a garden there, hidden from the street. The grandfather wears white cotton trousers rolled to his knees, tending squash vines and his pigeon house, a round brick tower with cubbyholes around the top where his pigeons roost. The old man uses a broom to chase away parrots eating his flowers. When the moon is D como Dios, his pigeons cry all night.