“I am not an ‘it.’ I am Prince Rath of the second royal Unseelie House created,” the tall Unseelie says coldly. “My brother is Kiall, from the third. Once, you whimpered our names. As you begged us for more. Without the spear you are nothing. Human. Weak.”

Neither Barrons nor I speak for a moment. Then he says, tonelessly, “I’m not removing the wards.”

“Fine, they can leave,” I say just as tonelessly. I am nothing, my ass. They don’t know about my inner psycho.

Barrons shoots me a look. I feel it on my ear, needling me to turn my head.

“Look at me,” he commands.

I scowl but look.

You said you trusted me to protect you. If I drop the ward, others can sift in. Unacceptable risk. Do not push me. My beast wants them dead.

Well, at least our beasts are in agreement, I retort saccharine-sweet. Seething, I slip the spear from my sheath and slap it into his palm before I get any more reminders of this afternoon.

Rath and Kiall rustle and chime in the bone-chilling, inhuman fashion that had been their only mode of communication when they first arrived in Dublin, crazed with hunger. I’d felt that chiming deep in my bones, as my mind slipped away. When Barrons hands the spear to Ryodan, who tucks it beneath his jacket, they resume their polished facade.

“Right, he can have it but I can’t,” I grouse.

“He does not consider past minor insult bar to future gain. Women are weak that way. Valuing things that mean nothing at all. Lamenting events they clearly enjoyed,” Kiall says, raking me with a knowing, intimate sneer. “What was lost that night? Nothing. What was gained? An experience beyond compare. Your human women kill each other for our amusement, to eliminate the competition for the privilege of such a night with us.”

I don’t know who goes more rigid beside me, Kat or Barrons. The room is a volcano waiting to blow.

I inhale, count to ten, exhale. At some point, when I’ve mastered my inner demon, I’ll pay a visit to the gothic monstrous mess of a mansion on the outskirts of Dublin where the princes have surrounded themselves with worshippers. With my spear. And those women that chirp bright, vapid nonsense like “See you in Faery” will stop killing each other to lose their sanity in a monster’s bed.

When R’jan, the Seelie Prince who claims to be the new king, enters, the Unseelie snarl like feral beasts.

R’jan reminds me of V’lane, before he dropped the mask, revealing his true Unseelie self, Prince Cruce. Gold-dusted skin pours like velvet over a powerful body; he has the face of a stunning, imperious Archangel. Long blond hair falls past his waist, unbound. He, too, has modified himself into something elegantly human, with fawn leather pants and dark boots, a creamy cashmere sweater, a gold torque at his throat. R’jan laughs and dismisses his dark brothers with a regal, condescending wave as if shooing a bothersome fly from a banquet surely called in honor of him.

The Unseelie leap from their chairs, Barrons rises, Ryodan joins him, and for a moment all the males in the room posture, assessing, debating the pleasure to be gained from turning this room into a slaughterhouse against whatever it is they’re after that made them agree to this meeting. Just when I’m certain they’re going to succumb to savagery, Kat and I are going to be sprayed with blood and bone fragments, and I’m going to end up taking back my spear and using it after all, Barrons growls, “You will all sit. Now.”

No one moves. I laugh softly. That’s a mistake.

Ryodan is abruptly gone.

When he reappears, he’s holding R’jan from behind, a scarred forearm around the Fae’s throat. He presses his mouth to the prince’s ear and says softly, “Need I remind you what I did to Velvet.”

R’jan hisses.

“He said sit. He doesn’t repeat himself. Nor do I.”

When Ryodan shoves him away, R’jan drops down on the third side of our square, eyes blazing with challenge and hatred. Kiall and Rath slowly take their seats with elaborate indolence, as if they do so because they wish to and for no other reason.

I eye the fourth side, wondering who else we could possibly be waiting for. When our final guest walks up the stairs and sits at our table, it’s my turn to bristle.

I know the face of an O’Bannion mobster when I see one. I helped kill two of them. Our final guest is black Irish with a light complexion, thick, dark hair and eyes, and the blood of a distant Saudi ancestor in his veins. Broad-shouldered and handsome in a rugged, outdoors way, he moves with long-limbed grace.

Kat half rises, looking ashen. “Sean?” she says. “What on earth are you doing here?”