Barrons and Ryodan are suddenly gone. I sometimes forget they can do that, become virtually invisible, melt into the current terrain, and reappear without warning.

Shots go off, guns fly and smash into walls, and ducking the whine of dangerous ricochets, I nestle into my worker bees. Between their hooded heads I watch a brief brawl that ends with four women unconscious on the floor and Barrons pushing the door open.

As I step over them, the black-haired woman uncoils cobra-fast, grabs my leg and yanks it out from under me.

Barrons is on her instantly but I go down backward, hard.

The strangest thing happens as I fall. I get a sudden weird flash of my room at the Clarin House, time slows to a snail’s crawl and I’m suddenly living two different events superimposed.

I’m falling backward at the abbey.

Yet I’m also falling forward in my cramped room at the inn.

Barrons is looking down at me here, subduing my attacker and trying to catch me.

But at the same time we’re at the inn, and he’s the one who just dumped me on the floor.

I’m clothed here.

At the Clarin House I’m missing my jeans, the air is cool on my skin and I’m butt-ass naked.

I hit the abbey floor hard enough to make my teeth clack, and blink, shaking my head.

WTF?

Reality rearranges itself into a single vision.

I’m in the abbey, only the abbey.

Frowning, I push myself up and watch Barrons and Ryodan drag the women down the hall and dump them into a room.

“Time to meet Jada.” Barrons growls her name the same way I feel it, irritably and accompanied by a death wish.

I stand up, eyeing him uneasily, trying to decide what just happened. The only time Barrons was ever in my room at the Clarin House was that night he came to bully me into going home. We’d argued, he grabbed me at one point and got physical, but then he left. The next day I’d hurt from head to toe.

My frown deepens.

I recall thinking the bruises were odd, more around the sides of my rib cage than across my front where he’d actually had his arm banded beneath my breasts. I didn’t wear a bra for days. And I’d hurt all over, not just my ribs. My thighs had ached, the muscles deep in my butt had been sore. I’d just figured the interminable flight over had taken a toll. I’d never flown that far before, or sat so long in between flights on hard airport benches. I scratch my head, staring at him, feeling like I’m trying to put together a puzzle minus half the pieces, with no picture on the box to guide me.

He gives me a look. “Are you hurt? What is it?”

I search his face, searching my memory, trying to reconcile what I just saw with some version of reality I recall.

There is none.

“Get a fucking move on, Mac,” Ryodan snaps.

At a complete loss to explain what just happened, for a novel change, I silently obey him. “Don’t get used to it,” I mutter.

We enter the spartan waiting room, move to the second set of double doors, and I’m on the verge of proposing we pause and listen a few seconds to get a feel for what’s on the other side when Barrons kicks the door open so hard it flies back, slams into the wall, and splits down the middle.

Women shout in alarm but I can’t see past Barrons’s and Ryodan’s backs.

I shut my mouth and step into the room, feeling uncomfortably … obsolete. I may have unique sidhe-seer gifts and there’s no question that without my wraiths hemming me in I’m a seriously badass street fighter, but Barrons and his men are faster, stronger, and more ruthless.

Before, one of my most valuable assets was that I could sense the Sinsar Dubh, but that skill is no longer in demand. Before, I could slay Unseelie better than the best, but now I’m afraid to draw my spear and give my inner demon the opportunity to manifest. Which begs the questions: what makes me any more special than the average sidhe-seer? Enforced passivity has me pondering that question too much of late.

Me. You could crush them in your sleep, said inner demon purrs.

I opt, instead, to crush the twinge of insecurity that invited the Book’s commentary, resuming my silent recitation with a sigh.

Exasperated that I can’t see, I push between them and am rewarded with a quick glimpse of a dozen armed women grouped around a central figure standing in front of Rowena’s ornate desk, but Barrons pushes me back and growls, “Stay there.”

His guttural words spark that freaky collision of dual realities again.

Stay there, he’s growling, back in my room at the Clarin House, I want you that way.

But you said I could—

Your turn next.