Of course, Owen was still involved with the show. When I'd first started subbing for him, he'd insisted that I stick to his playlist, even when it meant forcing music I hated on the masses. After the first week, though (and once he realized that he really couldn't stop me), he'd relented, and I'd started putting my own songs in here and there. There was something really great about being able to put something out into the world—a song, an introduction, even my voice—and let people make of it what they wanted. I didn't have to worry about how I looked, or if the image of me people had fit who I really was. The music spoke for itself and for me, and after so long being watched and studied, I was finding I liked that. A lot.

Rolly knocked on the glass between us, then signaled to me to get the next song ready to go. It was a Jenny Reef single, for Mallory—my first true fan—who made a point of setting her alarm each week so she could call in a request. I cued it up, then waited until The Clash began to fade out before hitting the button to begin its bouncy beats (a segue that I knew would annoy Owen, who for various reasons insisted on listening to the broadcast of the show in the car, alone). Once it had fully started, I shifted in my chair, glancing over at the row of pictures I had lined up next to my monitor. When I'd first started, I'd been so nervous I figured I could use all the inspiration I could get. So I'd brought in the shot of Mallory with the feather boa circling her face, to remind me at least one person was listening. The one of me Owen had taken, so I'd keep in mind that it didn't matter if she was the only one. And then one more.

It was shot of me and my mother and sisters, taken at New Year's. Unlike the one in the foyer, it was hardly professional, with no dramatic vista behind us. Instead, we were all standing at the kitchen island. We'd just been talking, about what I couldn't even remember, and then Kirsten's boyfriend Brian— with the class over, they were now free and clear to make their relationship public—was telling us to look here, and the shutter snapped. It was not a great picture in the technical sense. You can see the flash in the window behind us, my mother has her mouth open, and Whitney is laughing. But I loved it, because it was what we looked like. And best of all, this time no one was in the middle.

Every time I looked at it, I was reminded how much I liked this new life, without a secret hanging over me. It was a fresh start, and now I didn't have to be the girl who had everything, or nothing, but another girl altogether. Maybe even the one who told.

"Two minutes until next break," Rolly said now, and I nod-ded, sliding my headphones back on. As he leaned back from the microphone, Clarke reached over, ruffling his hair. He smiled at her, making a face as she went back to the Sunday crossword, which she made a point of trying to complete every week during the hour the show was on. Clarke was competitive, even with herself. It was one of many things I'd forgotten about her, but was now remembering—like how she always sang along with the radio, refused to watch scary movies, and could make me giggle uncontrollably over the stupidest things—as we cautiously worked our way back into a friendship. It wasn't like it had been, but then neither of us would have wanted that anyway. As it was, we were just happy to be hanging out. Everything else, we took day by day.

This was how I was dealing with everyone and everything lately, taking the good when it came, and the bad the same way, knowing each would pass in its own time. My sisters were still speaking, as well as occasionally still arguing. Kirsten was in her second filmmaking class, working away on a piece about, strangely enough, modeling, which she promised would "rock our world" (whatever that meant). In January, Whitney had enrolled in classes at the local university, where, along with a few requirements, she was taking two writing classes, one on memoir, the other fiction. In the spring, with her doctor's blessing, she was moving into her own apartment, a place she'd made sure had enough light for some plants. In the meantime, her herbs were still in the windowsill, where I made a point to pass them whenever I could, reaching down to smooth their pungent leaves between my fingers, releasing their scent to linger to the open air behind me.

As for my mother, she had accepted all these changes with a few tears—of course—as well as a strength that continually surprised me. I'd told her, finally, that I was done with modeling, for good, and while it was hard for her to let go of that part of my life, and her own, she'd compensated by taking a part-time job with Lindy, who was still desperately in need of a receptionist. It was a good fit. Now she sent other girls out to calls and dealt with clients, keeping one foot in the world where she, out of all of us, always felt the most comfortable.

Still, I knew it would probably be hard for her when the new Kopfs commercial began running in a few weeks. From what I heard, they'd stuck to the same idea as the one I'd done, focusing on the Ideal Girl as she moved through spring sports and prom. It probably would have bothered me, for all the reasons the other one had, if not for the girl they'd picked to replace me: Emily. After all, if anyone could be a role model, it was her.

As far as Emily and I went, we weren't exactly friends. But we both knew what we'd been through would link us forever, whether we liked it or not. Whenever we passed each other in the hallway now, we made a point of saying hello, even if that was all we said. This was more than I could say for Sophie, who studiously ignored both of us. After Will's conviction and sentencing for second-degree rape—six years, although he'd probably be out earlier—she'd laid low for a while, clearly uncomfortable with being the subject of so much discussion. There were times when I saw her alone in the halls, or at lunch, and thought that ideally, I'd be able to go up to her, heal this rift, do for her what she'd never done for me.