But there was something I never told the police about the day I was raped. Even when they pressed me for more details. I couldn’t bring myself to say it.

No, I didn’t see his face.

No, he didn’t have tattoos or scars.

No, he didn’t say anything to me…

The truth was that he did speak to me. Or perhaps he just spoke. To God, to the air, to himself, or perhaps to some person who abandoned him. I can still hear his voice. I hear it when I sleep, whispering in my ear and I wake up screaming. From the moment he started to the moment he finished, he chanted one thing over and over.

Pink Zippo

Pink Zippo

Pink Zippo

Pink Zippo

It was an omission. Maybe he got away because of it. Maybe another woman will be raped because I could have done more. But in that moment, when you’ve been violated, your soul darkened for no reason other than someone’s sadistic cruelty, you’re only thinking about your survival.

I didn’t know how to live with my survival, and I didn’t know how to kill myself. Instead, I plotted what I’d do to him. While Isaac was feeding me, and pulling me out of dreams that made me thrash and scream, I was cutting up my rapist, throwing him into Lake Washington. Pouring gasoline over him and burning him alive. I was carving his skin like Lisbeth Salander did to Nils Bjurman. I took the revenge I would never get in my flesh and blood life.

But it wasn’t enough. It’s never enough. So I took revenge on myself for allowing it to happen. I felt worthless. I didn’t want anyone who had worth to be near me. Isaac had worth. So I got rid of him. But here we were; locked up and caged. Starved. The man who chanted Pink Zippo might have been a stalker, but he had nothing, nothing on the zookeeper. You can stalk a woman’s body, but this animal was stalking my mind.

My cast hits something. Isaac flicks the switch that turns on the bulb above the door. It’s been so long since light and not darkness has been my companion that it takes a moment for my eyes to catch up. The zookeeper has indeed left me something; a box, rectangular in shape, it reaches my knees. The box is pure white, shiny and smooth like the inlay of an oyster shell. On its lid are red words, the letters look as if someone dipped a finger in blood words that look as if someone dipped a finger in blood before tracing them. For MV.

My reaction is internal. The very essence of me writhes as if I am an open wound and someone has poured salt over me like one of those snails the kid next door used to torture. I hobble forward and lean over the box. Please God, please, don’t let it be blood.

Not blood.

Not blood.

My hand is shaking as I reach down to touch the words. I go for the V, slicing it in half. It has dried, but some of it chips away on the tip of my finger. I place my finger in my mouth, the flecks of red clinging to my tongue. All this, and Isaac has been a statue behind me. When I bend over, letting my crutch drop away, moaning in some sort of grief, I feel his arms circle my waist. He pulls me back into the house and kicks the door closed.

“Noooooo! It’s blood, Isaac. It’s blood. Let me go!”

He holds me from behind as I twist to get away from him.

“Hush,” he says into my ear. “You’re going to hurt your leg. You can sit on the sofa, Senna. I’ll bring it to you.”

I stop fighting. I’m not crying, but somehow my nose is running. I reach up and wipe it as Isaac carries me to the living room and sits me down. The couch is barely a couch. We hacked parts of it away to burn when we discovered that there was a wooden frame underneath the stuffing. The cushions are gouged; they sink beneath me. The back of the sofa is gone; there is nowhere to rest my back. I sit straight, my leg poking out in front of me. My anxiety climbs every second that Isaac is gone. My ears follow him to the door, where his breath hitches as he lifts the box. It’s heavy. The door closes again. When he walks back into the room he’s carrying it like a body, his arms stretched around its sides. There is no coffee table to set it on—we hacked that up too—so he places it at the floor by my feet, and steps back.

“What’s MV, Senna?”

I stare at the blood, the part of the V that I smudged with my finger.

“It’s me,” I say.

He tilts his head forward. It feels like he’s lining up our eyes. Truth. I’m going to have to feed him some truth.

“Mud Vein. I’m Mud Vein.” My mouth feels dry. I want to purge it with a gallon of snow.

His eyes flicker. He’s remembering.

“The dedication in his book.”

Our eyes are connected, so I don’t need to nod.

“Would he…?”

“I don’t know anything anymore.”

“What does it mean?” he asks. I lower my eyes away from his, and to the blood letters. For MV

“What’s inside?” I ask.

“I’ll open it when you tell me why the zookeeper addressed that box to Mud Vein.”

The box is just out of my reach. To get to it I’ll have to use something to pull myself up. Since the couch no longer has a back, there is nothing I can use for leverage. Isaac, I realize, is being very strategic. I take a breath; it is broken in half by a sob that never reaches my lips. My chest convulses as I open my mouth to speak. I don’t want to tell him anything, but I must.

“It’s the black vein that curves around the back of a shrimp. Nick called it the mud vein. You have to remove it to make the shrimp clean…” My voice is monotone.

“Why did he call you that?”

When Isaac and I ask each other questions it reminds me of a tennis match. Once you’ve sent one over the net, you know it’s going to come back, you just don’t know the direction.

“Isn’t it obvious?”

He blinks at me. One second, two seconds, three seconds…

“No.”

“I don’t get you,” I say.

“You don’t get you,” he shoots back.

We have resumed our eye transmissions. I’m glaring, but his stare is more candid. After a minute he steps over to the box and opens it. I try not to lean forward. I try not to hold my breath, but there is a white box with the words For MV stenciled on the lid in blood. I am aching to know what’s inside.

Isaac reaches down. I hear the gentle whisper of paper. When his hand comes up he’s holding a loose page that looks as if it’s been torn from a book. The corners have soaked up some blood.

For MV

Blood soaked pages, for MV…

Who knew that Nick called me that, besides Nick himself?

Isaac starts to read. “The punishment for her peace was upon him, and he gave her rest.”

I hold out my hand. I want to see the page, know who wrote it. It wasn’t Nick; I know his style. It wasn’t me. I take the blood-stained page, careful to keep my fingers away from the red parts. I read silently what Isaac read out loud. The page is numbered 212. There is no title or author name. I read through the rest of it, but I have the feeling that those are the words I was meant to see first. Isaac hands me another page, this one with a spot of blood the size of my fist blooming out from the middle of the page like a flower. The font is different, as is the size of the page. I rub it between my fingers. I know this feel; it’s Nick’s book. This is Knotted.

Isaac pushes the box closer to where I’m sitting so that I’m able to reach inside. The pages are all pulled from their binding, lined in four rows. I lift another page. The style lines up with the first book, lyrical with an old-fashioned feel to the prose. There is something strange about the writing, something I know I should remember, and cannot. I start pulling out pages at random. Separating the pages of Nick’s book from the new one. I work quickly, my fingers lifting and piling, lifting and piling. Isaac watches me from where he leans against the wall, his arms folded, lips pursed. I know that underneath his lips his two front teeth slightly overlap. I don’t know why I have this thought, at this time, but as I sort pages my thoughts are on Isaac’s two front teeth.

I am about halfway through the box when I realize that there is a third book. This one is mine. My fingers linger over the bright white pages—white because I told the publisher if they printed on cream I would sue them for breach of contract. Three books. One written for MV, one written for Nick … but the third…? My eyes reach over to the unknown pile. Who belongs to that book? And what is the zookeeper trying to tell me? Isaac pushes himself off the wall and steps toward the pile that belongs to Nick.

“We have to finish reading this one,” he says. My face drains of blood and I can feel a tingling along the tops of my shoulders as they tighten.

I hand him the pile. “It’s out of order and the pages aren’t numbered. Good luck.” Our fingers touch. Gooseflesh rises on my arms and I look away quickly.

Chapter Thirty-Two

We work to set the books in order. Through the longest night, the night that never ends. It’s good to have something to do, to keep you from waltzing down crazy street—not that we haven’t already been there. It’s a street you only want to visit a couple times in your life. We have power again … heat. So we take advantage by not sleeping, our fingers flying over pages, our brows creased with the strain. Isaac has Nick’s book. I take on the task of the other two—mine and…? It seems that there are too many pages to make up only three books. I wonder if we will discover a fourth.

Even as I come across pages of Knotted and hand them to Isaac, it is the nameless book that catches my attention. Each page has a line that pulls at my eyes. I read them, re-read them. No one I know writes this way, yet it is so familiar. I feel a lust for this author’s words. A jealousy at being able to string such rich sentences together. The first line keeps coming back to me with each subsequent line I read. The punishment for her peace was upon him, and he gave her rest.

I don’t notice when Isaac disappears from the room to make us food. I smell it when he comes back and hands me a bowl of soup. I set it aside, intent on finishing my work, but he picks it up and places it back in my hands.

“Eat it,” he instructs me. I don’t realize how hungry I am until I reluctantly place the spoon in my mouth, sucking the salty brown broth. I set the spoon aside and drink from the bowl, my eyes still scanning the piles set neatly around me. My leg is aching, as is my back, but I don’t want to stop. If I ask Isaac to help me move he will guess at my discomfort and force me to rest. I rub the small of my back when he’s not looking, and press on.

“I know what you’re doing,” he says, as he leans over his pile of pages.

I look up in surprise. “What?”

“When you think I’m not looking, I am.”

I flush, and my hand automatically reaches for my aching muscles. I pull back at the last minute and curl my hand into a fist instead. Isaac snickers and shakes his head, turning back to his work. I’m glad he doesn’t press the issue. I pick up another page. It’s my own. The story I wrote for Nick. Instead of putting it on its pile, I read it. True and trite. It was my call to him. The first line of the book went like this:

Every time you want to remember what love feels like, you look for me.

That line grabbed every woman who had ever offered their throbbing little heart to a man. Because we all have someone who reminds us of what love stings like. That unreliquished love that slips between our fingers like sand. The second line of the book confused them a little. It’s why their eyes kept following my trail of words. I was dropping breadcrumbs for the disaster that was to come.

Stay the f**k away from me.

I only wrote the book because he wrote one for me. It seemed fair. Most people text, or call, or write e-mails. My love and I write each other books. Hey! Here’s a hundred thousand words of ‘Why the hell did we break up anyway?’ It was Nick who had finally crippled me; it was Nick who took my belief away. And I decided sometime after I filed the restraining order against Isaac that it was a story worth telling.

When we broke up it was his choice. Nick liked to love me. I was not like him, and he valued that. I think I made him feel more like an artist because he didn’t know how to suffer until I came into his life. But he didn’t understand me. He tried to change me. And that was our destruction. And then Isaac read that book to me, perched on the edge of my hospital bed, my br**sts sitting in a medical waste container somewhere. Suddenly I was hearing Nick’s thoughts, seeing myself as he saw me, and I heard him calling to me.

Nick Nissley was perfect. Perfect looking, perfectly flawed, perfect in everything he said. His life was graceful and his words were whetted to poignancy—both written and spoken. But he didn’t mean any of them. And that was the greatest disappointment. He was a pretender, trying to grasp what it felt like to live. So, he found me looking at a lake and grabbed me. Because I wore a shroud of darkness and he wanted desperately to understand what that was like. I was charmed for a while. Charmed that someone so gifted was interested in me. I thought that by being with him, his talent would rub off on me.

I was always waiting to see what he would do next. How he would handle the waitress who spilled an entire dish of pumpkin curry on his pants (he took his pants off and ate his meal in boxers); or what he would say to the fan who tracked him down and showed up at his door while we were ha**g s*x (he signed her book half leaning out the door with his hair ruffled and a sheet wrapped around his waist). He taught me how to write by simply existing—and existing well. I can’t say for sure when it was that I fell in love with him. It might have been when he told me that I had a mud vein. It might have been days later when I realized it was true. But whatever moment it took for my heart to decide to love him, it decided swiftly, and it decided for me.