“Until?” Dorian asked.

Kylar hesitated. “Until I remember. I have to make myself think that my instincts are wrong. And then I hate what I’ve become.”

“And what have you become?” Dorian asked.

“A murderer.”

“You’re a liar and killer, but you’re no murderer, Kylar.”

“Well, thanks.”

“What’s the Night Angel, Kylar?”

“I don’t know. Durzo never told me.”

“Horseshit. Why don’t you trust yourself? Why don’t you ask Elene to trust you? Why don’t you trust her with the truth?”

“She’d never understand.”

“How do you know?”

What if she did? What if, once she knew him all the way down to the depths, then she rejected him? What would that do to him?

“You two are so young you don’t know your asses from your elbows,” Dorian said. “But you are starting to figure yourself out. Elene’s accepted a tiny box as her faith, and you’re way outside of what she knows about the God. She’s got the arrogance of youth that tells her that what she knows about the God is all there is to know about Him. She loves you, so she wants you to stay in that box with her. And that box is too small for you. You can’t understand a God who’s all mercy and no justice. That cute, fuzzy God wouldn’t last two minutes in the Warrens, would he? Well, I hate to tell you this, but Elene’s eighteen. All she knows about the God isn’t all that much.

“Kylar, I don’t think the God finds you abhorrent. The horror is having profound power in one hand and a strong moral sense in the other and absolutely no foundation to stand on. For the last couple of months, you’ve tried to accept Elene’s moral conclusions while rejecting her premises. And you say she’s not logical? Where do you stand, Shadow in Twilight?

“You’ve got choices to make, but here’s another hard truth: you can’t be whatever you want to be. The list of things you’ll never be is a long one—even if you do live forever. Do you want to know what’s at the top? Mild-mannered herbalist. You’re as meek as a wolf, Kylar—and that’s what Elene loves about you and it’s what she fears about you. You can’t keep telling her it’s all right, that this disguise is who you really are. It’s not. Why don’t you trust Elene enough to ask her to love the man you really are?”

“Because I hate him!” Kylar roared. “Because he loves killing! Because she doesn’t understand evil and he does. Because he never feels so alive as when I’m bathed in blood. Because he is a virtuoso with the sword and I love what he can do. Because he is the Night Angel and the angel is in the night and the night is in me! Because he is the Shadow That Walks. Because he believes some people cannot be saved, only stopped. Because when he kills an evil man, I feel not just the pleasure of mastery, I feel the whole world’s pleasure at the retribution—an evil man is an affront and I erase the blot. I balance the imbalance. He loves that—and Elene would have to lose the innocence I love about her for her to understand that man.”

“This man,” Dorian said, poking Kylar’s chest, “and this one—” he poked Kylar’s forehead—“are on their way to madness. Take it from one who knows.”

“I can change,” Kylar said, but his voice was hopeless.

“A wolf might become a wolfhound, son, but it will never be a lap dog.”

“We are at war,” Speaker Istariel Wyant said. Her voice was nasal, the accent High Alitaeran. She liked making pronouncements.

Ariel had wedged her bulk into a too-small chair in the Speaker’s office, high within the Alabaster Seraph. She was puffing from the climb up the stairs. One meal a day until I can manage the climb without wheezing. One.

Sometimes Ariel hated flesh, hated being chained to something so weak and needy. It took such care, such slavish devotion, and wanted such pampering. It was a perpetual distraction from things more important, like what the Speaker wanted of her.

Istariel Wyant was a tall, imperious woman with a patrician nose and brows plucked down to thin lines. She had knobby joints that made her look lanky rather than willowy, and despite her pinched middle-aged face, she had the most beautiful long blonde hair of any woman Ariel knew. Istariel adored her hair. Not a few of the Sisters whispered that she must have rediscovered some lost weave to make it so thick and glossy. It wasn’t true, of course, Istariel’s mother had had the same hair. It was one reason their father had married her after Ariel’s mother died. Besides, Istariel wasn’t that Talented.

“This war is not just over what it means to be a maja, but what it means to be a woman.”

Seeing the undisguisedly ironical look on Ariel’s face, Istariel changed tack. “How have you been, sister?”

Of course, every full maja was addressed as “Sister,” but Istariel warmed the word. Used for Ariel, “sister” hearkened back to the supposedly halcyon days of their youth together, some fifty years ago. Istariel definitely wanted something.

“Fine,” Ariel said.

Istariel tried again, valiantly. “And how are your studies progressing?”

“The last two years of my life have probably been a complete waste,” Ariel said.

“Still the same old Ariel.” Istariel tried to say it lightly, as if amused, but she didn’t quite put in the effort to make it convincing. She probably thought that because Ariel didn’t use any finely nuanced social snubs, she wasn’t aware of them.

When they had been younger and Ariel had cared more about what her aristocratic little sister thought of her, it had been a bitter irony for her. Ariel had always fallen squarely in Istariel’s blind spot. The near-genius with which Istariel instantly understood the men and women around her had never extended to Ariel, with whom she spent so much time. When Istariel looked at her, she saw Ariel’s broad peasant face and thick peasant limbs, her lack of social graces and lack of concern for the important things—privilege, power, and position—and she saw a peasant. Istariel thought she understood Ariel, so she stopped thinking about her at all. Now she even allowed her eyes to flick down.

“Yes, I’ve gotten fat,” Ariel said.

Istariel blushed. How she must hate how I can still make her feel like a child. “Well,” Istariel said, “I, I suppose you have put on a little …”

“And how are you, Speaker?” Ariel asked. Why was it she could master the eighty-four variations of the Symbeline weave with perfect timing, structure, and intonation, but not make conversation? Surely small talk should be reducible to perhaps a few hundred typical questions, delineated into conversation trees according to the conversant’s responses, how well one knew the conversant, what the current events were, and one’s position relative to the conversant.

Timing of the questions and the length of one’s responses would have to be studied as well, but many weaves required exact timing, too, and Ariel’s rhythm was perfect. One might have to take into account the physical setting: one would speak differently in the Speaker’s office than in a tavern. Topics of study could include how to deal with distractions, appropriate degrees of eye contact or physical touch, taking into account cultural variations, and of course the differences in speaking with men and women, subdivided by whether one were oneself a man or a woman. Ariel supposed she might have to include children in the study as well, and it would be important to include how to speak with those toward whom you had varying degrees of friendship or interest, romantic or otherwise. Or should it? Should one make small talk differently with a woman whom you thought you might like to befriend than with a woman you had no interest in? Were there socially appropriate ways to curtail dull conversations?