Other ships did not willingly linger there. The air was humid, and what “fresh” water they took on turned green almost overnight. If the Springeve anchored close to shore, insects swarmed to feast on the crew. Strange lights danced often on these waters and sound traveled deceptively. Islands and channels shifted and disappeared as the wandering rivers dumped their silt and sand only to have a storm, rain flood or tide gulp away in a single night all that had been deposited during a month.

Brashen had only hazy memories of this area from the days when he had unwillingly sailed as a pirate. As a ship's boy, he had been little better than a slave. Weasel, they had called him when he crewed aboard the Hope. He had paid little attention to anything save scrabbling fast to stay ahead of a rope's end. He recalled the villages as tiny clusters of decaying huts. The only residents had been desperate men who had nowhere else to go. They had not been swaggering pirates, but little more than castaways who lived off whatever trade the true pirates brought to their tiny settlements.

Brashen winced at those memories. Now he had come full circle and could only marvel at how a few clusters of outlaw settlements had apparently grown into a network of towns. When he had been mate on the Vivacia, Brashen had listened skeptically to tales of permanent pirate settlements built on pilings or far up the brackish rivers and lagoons. Since he had begun sailing on the Springeve, he had gradually formed a different picture of these shifting islands and the bustling settlements that clung to their unreliable shores. Some were still little more than places where two ships might stop to trade goods, but others boasted houses with paint on their boards, and little shops along their muddy streets. The slave trade had swelled the population, and widened its variety. Artisans and educated slaves who had escaped Jamaillian owners rubbed elbows with criminals who had fled the Satrap's justice. Some residents had families. Women and children now formed a minor part of the population. Many of the escaped slaves were obviously trying to re-establish the lives stolen from them. They added a note of desperate civilization to the renegade towns.

Captain Finney seemed to rely solely on his memory to navigate the treacherous channels, tides and currents that brought them to each hamlet. Unerringly he guided the Springeve from town to town. Brashen suspected that he had private charts he consulted, but so far, he had not seen fit to give his mate so much as a glimpse of them. Such a lack of trust, Brashen reflected, as he watched the merchant's sons through narrowed eyes, almost demanded treachery in return. At least, he suspected that Finney would see the careful inking of shorelines and soundings that Brashen had marked onto the canvas scraps under his bunk as treachery. A good part of Finney's value as captain depended on his arcane knowledge of the Pirate Isles. He would see Brashen's careful hoard as a theft of his hard-won knowledge. Brashen saw it as the only long-term benefit he might carry away from this voyage. Money and cindin were all very well, but they were too soon gone. If fortune forced him into this trade, he would not sail as a mate forever.

“Hey. Brash. Over here. What do you think of this?”

He glanced away from the boys to the new selection of merchandise Finney was considering. Finney was holding up an illustrated scroll. Brashen recognized it as a copy of the Contradictions of Sa. The qualities of the parchment made him suspect it was a good one. Too familiar a knowledge of such things might indicate to Finney that he was not illiterate. He gave a shrug. “Lots of pretty colors and fancy birds.”

“What do you think it's worth?”

Brashen shrugged. “To whom?”

Finney narrowed his eyes. “In a Bingtown shop, say.”

“I've seen them there. Never wanted to buy one, myself.”

Sincure Faldin rolled his eyes at the sailor's ignorance.

“I might take it.” Finney began to rummage through the rest of the goods. “Set it aside for now. What is this?” There was a trace of amused annoyance in Finney's voice. “It's broken. You know I trade only in the finest merchandise. Take it away.”

“Only the frame is damaged, no doubt in the haste of, er, salvaging it. The canvas is intact and quite valuable, I am told. It appears to be the work of a noted Bingtown artist. But that is not the only thing that makes it exceedingly valuable.” His voice hinted of a great secret to share.

Finney pretended disinterest. “Oh, very well, I shall look at it. A ship. Now that's original. A ship under sail on a pretty day. Take it away, Sincure Faldin.”

The merchant continued to hold the painting proudly. “I think you shall regret it if you let this get by you, Captain Finney. It was painted by Pappas. I am told he accepts few commissions, and that all of his canvases go dearly. However, as I told you, this is even more unique. It is a portrait of a liveship. It was taken from a liveship.”